Tag Archives: Stephen King

“Advice is a form of nostalgia…

…dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it’s worth.” That’s a quote from one of my all my favorite songs, “The speech song” by Baz Luhrmann. I’ve been listening to it since it came out in 1999 (and was even played on the radio a bit), if you ever get a chance, give it a spin. I’ve lived my life almost completely by that song (and I think I’ve done okay so far).

Hi everyone,

It’s  a cold, windy day here (there were flurries here this morning and it’s only October!). Halloween, Xmas shopping, Xmas and of course winter are fast approaching. People love the fall, not me, sure the leaves are pretty but I like hot, sunny weather anything else gets me down a little. But you’re not here to listen to me pontificate, today I’m going to talk about writers and advice, both giving and receiving.


I’ve done lots of conventions, given plenty of talks, been part of panels, book signings, book launches and book readings. I’d say the most common question I get is, “what advice would you have for a young/new writer?” (ok they didn’t say /new but I’m too OCD not to be complete). Say what you want about his writing, I think he gives great advice. He wrote a book just called “On Writing: A Memoir of the craft” and I highly recommend it. I would, however, also tell writers to, however, not get caught up in style books and writing handbooks and classes. If you want to do English in University then do it but there’s no substitute for writing and reading every day.

Writing doesn’t happen in a vacuum, the idea of a writer holed up in a dark corner spending years of his or her life working on a story with no input from others is (I hope) over with. Get to know other writers, I’d say in particular local ones. Local ones have the most time and interest (usually) to talk with you and are often very nice people. One of the best pieces of advice/encouragement I ever got was from a local author, one I had contacted when I finally got serious about writing.


I know that picture above is a little blurry. What Hemingway (someone else who gives good advice on writing) is saying is that you can’t just use your imagination. You have to experience life, I think some of the best writing I’ve done is based on places I’ve been and experiences I’ve had. The world is full of wondrous people, nature can be inspiring, a place, even just seeing how people live in other parts of the world does so much to broaden your mind. Sometimes I feel that not becoming a serious writer until I was 34 was a good thing, I was lucky enough to have a lot of experience to draw on.  Even now I find when I get back from a vacation I have an idea for a story or chapter, a place that needs mentioning or a person that would be fun to incorporate. Don’t get me wrong, you still need to use your imagination, spice up the world, exaggerate events, or just plain kill people (in your stories of course! That’s not illegal.)

What other advice do I give? I tell people to work hard, write what you love (and don’t write unless you love it), be patient and get plenty of feedback (among lots of other things.) I also say that for 99% of writers (probably more like 100) you have to have an editor. King talks about how you need you to have an ideal reader, the person you really write for (besides yourself). For me that is my editor, I eagerly await her reaction (I’ve had 4 female editors and 1 male). I’ve learned plenty from my editors (currently the wonderful Kathy, who did a wonderful job getting “Killer on the Road” in re-release, ship-shape, available in November!) about grammar, writing style and lots of other important author lessons.


To finish up, the quote above is true. People who give you advice usually mean well, they’re trying to help. I’ve found though that often times people are limited by experience or simply don’t understand what kind of writer/person you are. So be careful taking any advice, don’t act rashly. Think out any big decision, I once had someone tell me I should get rid of my editor because she wanted me to change parts of the story. That guy had no clue how writing works and I ignored his advice. Writing, like anything in life, is a learning process. Learn what you can from others and pass it on. I’ll end with this, nothing you write is ever perfect. If you have the chance (and the interest) to improve on someone you wrote do it, you’ll be glad you did.

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Why do you write?

Greetings all,

I’m back from a wonderful holiday around BC (Canada) and a cruise to Alaska. If anyone is thinking about a trip to either of those places I’d highly recommend it (though maybe for Alaska to go in July or August) and tomorrow I’m off to a convention (about 6 hours away from where I live), so busy times! For this month, getting back on topic, I’d like to talk about why I write, it was something that came up at a convention and in Stephen King book I read (and is an important question for any writer I think.)


If you’re curious the book by Stephen King is called “On Writing: A Memoir of the Craft“, I’d highly recommend any writer (or aspiring writer) check it out, if you don’t like King. Back on topic, I’ve always had a love of literature. It started (like lots of people I’m sure) with comic books (Archie and then superhero titles) and then novels (and some Hardy Boys and Choose your Adventure stuff). I love to be creative, at first I just wrote a journal but soon moved into short stories, poems and later novels.


The above reasons are (mostly) true but there are more. You write any story you’re in control, the characters, the plot, the setting, it’s a great feeling to write something exactly the way you want (well if you want to be published it might be a little different but close enough). To see your ideas come to life (even just on the page or screen) is a wonderful feeling and fills you with excitement. I do also hope that my writing has an affect on at least a few readers, I have strong ideas about the world and how it could be better and if other people feel the same, then maybe the world can be a little better. I wrote my first book The Newfoundland Vampire ( the sequel, Killer on the Road,  soon to re-released by my most excellent publisher, Distinguished Press, what? You knew I always put in a plug!)  because I had a story to tell and something to say and I’ll keep writing as long as that’s the case.


I’ll admit there’s another reason, I’m needy, in particular I need feedback, comments (hopefully praise) and even constructive criticism (please don’t come up and just say you suck, I’ve had that happen and it stings). I think most writers are needy and crave attention, it’s a big reason of you why get stories publish (or self-publish). I am thrilled when I get a new review of a book (especially if it’s a good one and goes on for a more than a few sentences).  I had a book launch party and having everyone show up because they care about your writing (I did a reading there) is also an incredible feeling, I’m looking forward to having at least one more.


Overall though, I write because I love do to it. I’d tell anyone that writing for the money is  bad idea, sure it’s nice to be rewarded but the money should never be the goal. I’ve read about that writing brings you joy, healing your mind and body and make you a better person. I don’t know if all those things are true but I know that if writing is a chore or all you see is dollar signs, you probably shouldn’t be doing it.

What about you? Why do you write?


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Why I Want To Be Successful

One of my favorite joys as a professor is writing a student a wonderful letter of recommendation. That’s one of the surprises for which no one prepares you. I love the moments when a hard-working (we hope) student walks through my office door and asks politely and hesitantly, “Do you think you could write me a letter of recommendation?”

I smile and nod. “My pleasure.”

And it truly is. I get to work with the next generation of ambitious leaders as they pursue their dream jobs, and there is little else that gives me the satisfaction of being able to help them achieve that. And not just through classroom lessons, but through that essential reference, the teacher communicating with a future employer and saying, “You’ve got a great candidate here.”

My first novel, Rabbit in Red, releases on September 29. I wake up every morning and pinch myself. “Is this really happening?” But it’s terrifying, too. I ask myself, “Do I need this? Do I really want this?” People are going to see the inside of my head! There will be critics—oh, so many critics! Can I handle all of that?


One of my college classes. I’m in the back with the maroon shirt. This is my dream job!

Yes. The answer is yes because I think of the smile on a student’s face after they read the rave review I had written for them. I’ve worked hard to be in a position where I am lucky to help others get to where they want to be. I’m lucky to already have my dream job. But I made the decision to never stop developing and chasing new dreams. I set a goal to be a published author, and now it’s happening. I hope for success, of course, but I have to ask: “Why do I want to be successful as an author?” It’s not ego or pride, is it?

No, it’s more than that.

I dream not (just) of being on a bestseller list (although of course I’d be thrilled!). I dream of a day when I can help other writers and artists accomplish their dreams. Isn’t that what would be the absolute coolest thing about being J.K. Rowling or Stephen King? They could get on a Twitter account any hour of any day and make someone a bestseller with a single tweet. Can you imagine?

Oh, I’m sure it’s a terrible pressure, too. But what a beautiful gift.

That’s also why I’ve fallen in love with my publishing home at Distinguished Press. We fight for ourselves, sure, but we’re also fighting for one another. I’ve told my students that when we collaborate with others, when we strive to help others, then we also help ourselves.

If we fight for the success of others, then we, too, will find success.

One day I hope that I possess the beautiful gift of recommending an artist to the world and consequently am able to help that artist achieve all of his or her dreams. THAT is my dream.

Fan art for Rabbit in Red, which releases on September 29!

Fan art for Rabbit in Red, which releases on September 29!

I’ll look back on all the enthusiastic people that have always been my side, and I’ll do anything I can to help them out.

That’s why I want to be successful. That’s why I fight to share my first book with the world and hope to share a dozen more.

I’ll hope you be with me as I take my first steps as a published author.

About the author: Joe Chianakas, 36, teaches communication at Illinois Central College. His first published novel, Rabbit in Red, releases on September 29. Like him on Facebook here, and follow him on Twitter for the latest exciting news!

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Sifting Out The Truth – Famous Self-Published Authors

I’m late.

This post was due a few days ago, but I ran into some trouble, researching the piece. As an Indie author, sometimes overwhelmed by the three P’s of authorship (Production, Publication and Promotion),  I intended to offer my fellow Indies a motivational article validating their choice to self-publish. However, researching via internet tends to be a bit like panning for gold. You pick a random plot of land, go to work, and pray you don’t come up with Iron Pyrite.

This article was more like trying to separate sugar from salt, with a flour sifter. I’m still not sure whether it was more difficult to verify the real self-published authors, or debunk the myths.  Half of the sites I found seemed to be bent on burying any hint of self-publication, the other half were screaming it to the world, and declaring each author a self-publishing genius.  I tend to follow the Joseph Addison school of thought, “There are three sides to every story — your side, my side, and the right side.” (as printed in The London Spectator, 1711)  Two more days of digging brought me to a more balanced conclusion…

True or False?

James Redfield self-published The Celestine Prophecy

True – Redfield did self-publish in 1992. He gave away nearly 1500 copies of his book, sparking a word-of-mouth campaign, which eventually brought the novel to the attention of Warner Books. Published by Warner in March of 1994, the book quickly climbed to #1 on the New York Times Best Seller List.

Beatrix Potter self-published The Tale of Peter Rabbit

Well… – Potter submitted to six traditional publishers, all of which rejected her. The rejections were, apparently, based on the lack of colour illustrations, so Potter added illustrations and self-published 250 copies of the book. She then resubmitted the illustrated manuscript to a commercial publisher. I could find no evidence to suggest what Potter did with the original 250 copies.  I leave it to you to decide whether this should be counted as a self-publishing success story.

Mark Twain self-published The Adventures of Huckleberry Finn

True, but – Twain had already established his literary legacy with The Celebrated Jumping Frog of Calveras County, his fiction-debut short story that just missed a deadline for inclusion in an anthology. The story was published in The Saturday Press instead, gaining him national attention. The Adventures of Tom Sawyer, and The Prince and The Pauper also preceded Huckleberry Finn. So Twain’s success with the book can be largely attributed to the fact that he already had a broad reader base.

Christopher Paolini self-published Eragon

True – Paolini’s debut novel was published by Paolini International. Now, that would lead you to believe Christopher created his own publishing company in order to lend his self-published novel an air of traditional legitimacy. No, the traditional enthusiasts insist, Paolini International was founded by Christopher’s parents, Kenneth and Talita, in 1997, and had been in business for five years before Eragon made print. Their son began writing in 1998 and Eragon was published in 2002. On the other hand, Paolini International had only published two books, (that I could find), prior to Eragon. Both of these books were non-fiction treatises on modern cults. Kenneth and Talita authored one of the books, and wrote the foreward and afterward for the other. With only these three books available from Paolini International, I think we can conclude that Eragon really was, essentially, a self-published debut that became a resounding success.

Charles Dickens self-published A Christmas Carol

True, but – Like Mark Twain, Dickens had already established a readership, as a traditionally published author, before he chose to self-publish A Christmas Carol. As far as how successful the venture was: financially it ended up being a dud for Dickens. Part of that was his own fault. Dickens insisted the book be produced with a gold stamped cover, and full colour illustrations. He set the price low, so it could be affordable to nearly everyone. Though the book was popular, and sold well, the costs nearly outweighed any profits. After the book was published it was pirated mercilessly. Dickens ended up spending more money fighting the piracy, than he made from the book.

L. Frank Baum self-published

Misleading – L. Frank Baum’s Oz books were published by the George M. Hill company. The only books of Baum’s I could confirm as self-published are Baum’s Complete Stamp Dealer’s Directory (1873) and The Book of the Hamburgs (poultry guide, 1886).  I highly doubt either of those had anything to do with his success as an author of fiction, but again, I leave it to you to decide.

J.K. Rowling self-published

False, but true now – Rowling was turned down by twelve large publishers. Her manuscript was finally accepted by Bloomsbury Publishing. Yes, Bloomsbury calls itself an independent publisher. However, the process seems remarkably similar to traditional publishing, and its site offers no explanation of what it means by “independent”.
Rowling did reclaim control of her publications in 2011, and now produces them herself. Her publisher has become more like her printer, and she continues to use the marketing and promotions services of the major publishing companies, for which she pays them.

Stephen King self-published

Technically true, but also misleading – Stephen King, his brother, David, and best friend, Chris Chesley established a small press called Triad and Gaslight Books, in 1963. This small press published a collection of King’s short stories, and a two part book. However, King did not find success as an author until Carrie was purchased by Doubleday in 1973. King says, in an interview, that he followed the traditional publishing process and “got the usual rejection slips”, until Carrie was picked up. There is no indication that King’s self-published work had anything to do with his later success, as a novelist.

James Joyce self-published Ulysses

True, but  – Joyce was an established, traditionally published poet, and author, when he self-published Ulysses. He’d begun serializing the story in Ezra Pound’s The Little Review, but obscenity laws put a stop to it. To get around the laws, he self-published the book and sold it privately. The real success of Ulysses didn’t come until much later.

John Grisham self-published A Time To Kill

False – Grisham’s words on the subject: ““Wynwood Press was a new, small unknown publishing company in New York in 1989. “Everybody else had passed on A Time to Kill, Wynwood Press took the gamble. Printed 5,000 hardback copies, and we couldn’t give them away. Wynwood later went bankrupt, or out of business.” Grisham ended up buying the unsold stock, which he then sold on his own. It wasn’t until The Firm, The Pelican Brief, and The Client made the best seller lists, that Doubleday picked up the rights to A Time To Kill, and began producing the next run.

Edgar Allan Poe self-published

True – Poe certainly did self-publish much of his early work. He is often held up as a shining example, by vanity publishers, as a self-publishing success story. However, Poe didn’t receive literary recognition until The Raven was published in The New York Evening Mirror, in 1945. He never achieved financial success, though he did scrape out a living strictly as a writer, and is cited as one of the first popular American writers to do so.

Margaret Atwood self-published

True – Margaret Atwood self-published her first book at the age of 22. The book, Double Persephone, was hand set on a flatbed press and went on to win the E.J. Pratt medal for poetry, a Canadian honour awarded by the University of Toronto. Her second self-published book of poetry The Circle Game, earned her the Governor General’s Award for Poetry in 1966, a national honour. Since then Atwood has written 35 books, (20 of them novels), and has been given 55 awards, and 12 honorary degrees.

I chose to finish with Margaret Atwood for three reasons: 1) Her’s is one of the few true success stories I found, other than Amanda Hawking’s.  Hawking’s success is well-known, and well-documented, so I chose to leave it out.  2) I’m a fan, and she makes me proud to call myself a Canadian author. And 3) Atwood said something, during a keynote-speech question-and-answer session, that sums up what I’ve concluded from my research for this post…

When asked how she felt about “a world that allows for self-publishing”, and if she worried if the quality of literary output would become “questionable”, Ms. Atwood responded, “The quality of literary output has always been questionable. People forget that.”  Later she said, “The problem always is, and… it’s a huge problem for a self-published author, how do you get anybody to even know about your book, let alone read it.”

The publishing world is changing daily. The old ways are no longer the only ways. Success, however, is going to require more than dreams, hopes and luck.  To succeed as an Indie author today, you need to be tenacious, hardworking, studious, and flexible. And you need to find, and connect with, your readers.

There are many more examples of writers who are proclaimed self-publishing successes, and are not. There are also many successful Indie authors we haven’t covered here. I won’t try to claim this as a complete list, by any means, but I think it is a realistic sampling of the history of self-publication. Let’s see what we can make of the future.

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